has been for sale for some time, as you have seen. The maintenance and ongoing development to keep our non-profit and idealistic platform for contemporary art running and safe from hackers etc. costs money that is no longer there. Because of small investments that are necessary now and the running costs, we will have to shut down with a heavy heart at the beginning of summer on June 21.
I used Jitter & Max/Msp as a sonification tool to produce the soundtrack for this collaboration with Iain Goodyear.
In the first part of J.G Ballard’s experimental novel The Atrocity Exhibition, under the heading ‘Journeys to an interior’ the character Talbot makes ‘certain transits’ whilst waiting in an apartment building. They are described as Spinal, Media, Contour and Astral. Within each vignette we encounter ‘porous rock towers…corroded lagoons’, ‘montage landscapes of war’, ‘unique parameters…body-beckoning vents of mouth and Vulva’ and ‘segments of…posture, mimetised in the procession of space’. Alinnaean Triptych is composed of three short abstract films, interpreting those transits. Cerebral journeys that attempt to navigate the same paradoxes of linearity Ballard explores in the fragmented and discursive narrative throughout The Atrocity Exhibition. As well as Ballard, the triptych takes inspiration from John Fowles and Angela Carter, authors whose texts also challenge and experiment with established conventions of linear narratives, landscapes and forms.
I used Jitter & Max/Msp as a sonification tool to produce the soundtrack for this collaboration with Iain Goodyear.
In the first part of J.G Ballard’s experimental novel The Atrocity Exhibition, under the heading ‘Journeys to an interior’ the character Talbot makes ‘certain transits’ whilst waiting in an apartment building. They are described as Spinal, Media, Contour and Astral. Within each vignette we encounter ‘porous rock towers…corroded lagoons’, ‘montage landscapes of war’, ‘unique parameters…body-beckoning vents of mouth and Vulva’ and ‘segments of…posture, mimetised in the procession of space’. Alinnaean Triptych is composed of three short abstract films, interpreting those transits. Cerebral journeys that attempt to navigate the same paradoxes of linearity Ballard explores in the fragmented and discursive narrative throughout The Atrocity Exhibition. As well as Ballard, the triptych takes inspiration from John Fowles and Angela Carter, authors whose texts also challenge and experiment with established conventions of linear narratives, landscapes and forms.
I used Jitter & Max/Msp as a sonification tool to produce the soundtrack for this collaboration with Iain Goodyear.
In the first part of J.G Ballard’s experimental novel The Atrocity Exhibition, under the heading ‘Journeys to an interior’ the character Talbot makes ‘certain transits’ whilst waiting in an apartment building. They are described as Spinal, Media, Contour and Astral. Within each vignette we encounter ‘porous rock towers…corroded lagoons’, ‘montage landscapes of war’, ‘unique parameters…body-beckoning vents of mouth and Vulva’ and ‘segments of…posture, mimetised in the procession of space’. Alinnaean Triptych is composed of three short abstract films, interpreting those transits. Cerebral journeys that attempt to navigate the same paradoxes of linearity Ballard explores in the fragmented and discursive narrative throughout The Atrocity Exhibition. As well as Ballard, the triptych takes inspiration from John Fowles and Angela Carter, authors whose texts also challenge and experiment with established conventions of linear narratives, landscapes and forms.
Wide shot of two panels in situ as part of "Equivocal Exhbition" with Paralell @ Primary studios. Nottingham
Wide shot of all panels in situ as part of "Equivocal Exhbition" with Paralell @ Primary studios. Nottingham
