top Corona virus Israel in quarantine images by Mirit Ben-Nun

Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant

Tali Tamir

top Corona virus Israel in quarantine images by Mirit Ben-Nun

Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant

Tali Tamir

top Jewelry drawings woman Israel Mirit Ben-Nun

Mirit Ben-Nun devotes his attention to rhythm in drawing and painting. She defines rhythm as a flow of movement, generated by the repetition of the same or different visual elements.

That rhythm, which characterizes it, is a continuous repetition of lines and shapes. In general, these repetitions produce a pleasant sensation for the human eye, and helps to structure the image.

The artist tries to express and show a sentimental perception about her world, showing different feelings. In each attempt, his goal is to demonstrate the importance of art in human life.

Dora Woda.

top Jewelry woman paintings Israel Mirit Ben-Nun

Mirit Ben-Nun devotes his attention to rhythm in drawing and painting. She defines rhythm as a flow of movement, generated by the repetition of the same or different visual elements.

That rhythm, which characterizes it, is a continuous repetition of lines and shapes. In general, these repetitions produce a pleasant sensation for the human eye, and helps to structure the image.

The artist tries to express and show a sentimental perception about her world, showing different feelings. In each attempt, his goal is to demonstrate the importance of art in human life.

Dora Woda.

top Art in Corona virus era by Mirit Ben-Nun

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Paintings in Corona virus time by Mirit Ben-Nun

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Arts in the days of Corona virus by Mirit Ben-Nun

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Corona virus drawings and paintings Mirit Ben-Nun

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Mirit Ben-Nun Israeli art works paintings and drawings art

There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.

David Gerstein

top Mirit Ben-Nun artist from Israel drawings and paintings

There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.

David Gerstein