Mirit Ben-Nun’s art exists within and beyond reality. She moves away from reality with aggressive and dense colorfulness which reveals an inner testimony of a threatened existence of women. The lines, points and shapes do not reproduce facts but emphasize the special charge of emotional coping.

Mirit Ben-Nun shows a rebellious spirit and tries to reach out to things not through wholeness but via searching for their expression and manifestation.

She explores personal identity and through it tries to define a complementary art, thereby illustrating the world and the nature of human culture. She focuses on the expressive dimension because of the exposure afforded by the uncontrollable moment that so much affects life in a rapidly changing global world.
The discourse between the inner world and the emerging reality is hyperactive and generates in Ben - Nun an endless sequence of works.

From the depths of feelings, dreams, anxieties and expressions arise rigid and exciting meanings of existence whose essence expresses adaptation difficulties and restlessness.

Dora Woda

Mirit Ben-Nun’s art exists within and beyond reality. She moves away from reality with aggressive and dense colorfulness which reveals an inner testimony of a threatened existence of women. The lines, points and shapes do not reproduce facts but emphasize the special charge of emotional coping.

Mirit Ben-Nun shows a rebellious spirit and tries to reach out to things not through wholeness but via searching for their expression and manifestation.

She explores personal identity and through it tries to define a complementary art, thereby illustrating the world and the nature of human culture. She focuses on the expressive dimension because of the exposure afforded by the uncontrollable moment that so much affects life in a rapidly changing global world.
The discourse between the inner world and the emerging reality is hyperactive and generates in Ben - Nun an endless sequence of works.

From the depths of feelings, dreams, anxieties and expressions arise rigid and exciting meanings of existence whose essence expresses adaptation difficulties and restlessness.

Dora Woda

The painting is engulfing as a result of being primitive, free from justification and the sense of guilt for not being intellectual. It comes from the unconscious creative the psychological drive which is not adapted to a language of nuances and does not require decoding.
Mirits spectator is bombarded with a colorful abundance, with repeating images and metaphors that are easily perceived and identified. For the person who is accustomed to the sophisticated art form, this is a fresh breath of immediate beauty.
Perhaps this is the place and the time to go deeper into the roots of a culture which for generations now has been obscured with theories and isms.
David Gerstein

The painting is engulfing as a result of being primitive, free from justification and the sense of guilt for not being intellectual. It comes from the unconscious creative the psychological drive which is not adapted to a language of nuances and does not require decoding.
Mirits spectator is bombarded with a colorful abundance, with repeating images and metaphors that are easily perceived and identified. For the person who is accustomed to the sophisticated art form, this is a fresh breath of immediate beauty.
Perhaps this is the place and the time to go deeper into the roots of a culture which for generations now has been obscured with theories and isms.
David Gerstein

The painting is engulfing as a result of being primitive, free from justification and the sense of guilt for not being intellectual. It comes from the unconscious creative the psychological drive which is not adapted to a language of nuances and does not require decoding.
Mirits spectator is bombarded with a colorful abundance, with repeating images and metaphors that are easily perceived and identified. For the person who is accustomed to the sophisticated art form, this is a fresh breath of immediate beauty.
Perhaps this is the place and the time to go deeper into the roots of a culture which for generations now has been obscured with theories and isms.
David Gerstein

The painting is engulfing as a result of being primitive, free from justification and the sense of guilt for not being intellectual. It comes from the unconscious creative the psychological drive which is not adapted to a language of nuances and does not require decoding.
Mirits spectator is bombarded with a colorful abundance, with repeating images and metaphors that are easily perceived and identified. For the person who is accustomed to the sophisticated art form, this is a fresh breath of immediate beauty.
Perhaps this is the place and the time to go deeper into the roots of a culture which for generations now has been obscured with theories and isms.
David Gerstein

These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.

During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.

Ami Steinitz

Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a
feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.

Dr. Gidion Ofrat

These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.

During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.

Ami Steinitz

Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a
feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.

Dr. Gidion Ofrat

These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.

During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.

Ami Steinitz

Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a
feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.

Dr. Gidion Ofrat

These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.

During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.

Ami Steinitz

Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a
feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.

Dr. Gidion Ofrat