
These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.
During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.
Ami Steinitz
Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.
Dr. Gidion Ofrat

These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.
During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension.
Ami Steinitz
Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.
Dr. Gidion Ofrat

Estos trabajos a veces son conflictivos con nuestras ideas de cómo debería verse el arte y si se atiene a las expectativas del observador. Es evidente que este arte no responde a las ciencias de las academias de arte, no imita el mundo real, ni usa perspectivas convencionales.
Mirit Ben-Nun transmite su mundo interior, dando lugar a un numero infinito de composiciones artísticas, manantiales de sueños, sonidos interiores, significados diferentes de su realidad y tal vez de su propia irrealidad. Su arte no esta separado de la vida y del mundo real, es su intercambio entre su yo y el espectador. Ella plasma sus pensamientos con un estilo y un enfoque único.
Dora Woda

Estos trabajos a veces son conflictivos con nuestras ideas de cómo debería verse el arte y si se atiene a las expectativas del observador. Es evidente que este arte no responde a las ciencias de las academias de arte, no imita el mundo real, ni usa perspectivas convencionales.
Mirit Ben-Nun transmite su mundo interior, dando lugar a un numero infinito de composiciones artísticas, manantiales de sueños, sonidos interiores, significados diferentes de su realidad y tal vez de su propia irrealidad. Su arte no esta separado de la vida y del mundo real, es su intercambio entre su yo y el espectador. Ella plasma sus pensamientos con un estilo y un enfoque único.
Dora Woda

Estos trabajos a veces son conflictivos con nuestras ideas de cómo debería verse el arte y si se atiene a las expectativas del observador. Es evidente que este arte no responde a las ciencias de las academias de arte, no imita el mundo real, ni usa perspectivas convencionales.
Mirit Ben-Nun transmite su mundo interior, dando lugar a un numero infinito de composiciones artísticas, manantiales de sueños, sonidos interiores, significados diferentes de su realidad y tal vez de su propia irrealidad. Su arte no esta separado de la vida y del mundo real, es su intercambio entre su yo y el espectador. Ella plasma sus pensamientos con un estilo y un enfoque único.
Dora Woda

Estos trabajos a veces son conflictivos con nuestras ideas de cómo debería verse el arte y si se atiene a las expectativas del observador. Es evidente que este arte no responde a las ciencias de las academias de arte, no imita el mundo real, ni usa perspectivas convencionales.
Mirit Ben-Nun transmite su mundo interior, dando lugar a un numero infinito de composiciones artísticas, manantiales de sueños, sonidos interiores, significados diferentes de su realidad y tal vez de su propia irrealidad. Su arte no esta separado de la vida y del mundo real, es su intercambio entre su yo y el espectador. Ella plasma sus pensamientos con un estilo y un enfoque único.
Dora Woda

There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.
David Gerstein

There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.
David Gerstein

There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.
David Gerstein

There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.
David Gerstein