This ready-made might not be apparent to decipher on first glance, but upon close inspection one realizes it is a swing. The object was very close to Kaludjerovi? in his childhood since it used to be in front of the artist’s apartment building while growing up. He engages his own father in an action of dismantling the swing from a very public sphere, and recreates a new habitat for the swing during the period of the exhibition. The work manifests a very private memory of Kaludjerovi?’s life at one point in time. Concurrently, the artist creates a new swing, modeled on the original one investigating the reverse process of producing a privately made object and placing it back long term into the public sphere of his youth.