top 06-03-05

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 06-10-05

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 06-20-06

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 06-22-06

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 07-04-05

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 07-06-05

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 07-10-06

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 07-17-06

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 07-23-06

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content

top 08-04-05

I have created a collage every day, and continue to for over two and half years, specifically from the newspaper of that day. I have not missed a day since I began on March 31, 2005. I predominantly use The New York Times with traditional collage techniques (glue & exacto knife) and each work takes up one page in 9x12 Strathmore watercolor books. I am approaching my third year and will have over 1000 concurrent days of The Collage Journal. It is integrated into my life as a meditation and visual commentary. This is a solitary practice yet has a broad spectrum of relevance inherent in its process and well as its visual content