has been for sale for some time, as you have seen. The maintenance and ongoing development to keep our non-profit and idealistic platform for contemporary art running and safe from hackers etc. costs money that is no longer there. Because of small investments that are necessary now and the running costs, we will have to shut down with a heavy heart at the beginning of summer on June 21.
Detail Artist’s personal poems inscribed on the wall, 2002-2015.
The artist’s personal poems inscribed on the wall of the “Dead Room”, appear as in the hieroglyphic stories relating the life and moods of the artist, represented corporally at the place marked by the spring bed, “sleep well in your Bettgestell”, in the center, and by the “pots KNAX”, in the form of canope vases in which, the artist keeps the relics of his own person collected over the years. (blood, hair, nails, food, ect …).
Conceptual drawing, the Lindwurm series
The series Lindwurm consists of three upright formats of 150x300 cm each. The basic form is a variation of three possible forms of snakes (L.I = horizontal lines, L.II = vertical lines, each line being different lengths, L.III = only circular lines). The width of this basic form was chosen so that according to these parameters, only one possibility for the design remained open: The basic coal forms are again found on a grid of graphite, within which two grid squares correspond to the width of the basic form. It is this standard width from which the most aesthetic liquefaction of the charcoal monochrome results.
Conceptual drawing, the Lindwurm series
The series Lindwurm consists of three upright formats of 150x300 cm each. The basic form is a variation of three possible forms of snakes (L.I = horizontal lines, L.II = vertical lines, each line being different lengths, L.III = only circular lines). The width of this basic form was chosen so that according to these parameters, only one possibility for the design remained open: The basic coal forms are again found on a grid of graphite, within which two grid squares correspond to the width of the basic form. It is this standard width from which the most aesthetic liquefaction of the charcoal monochrome results.
Conceptual drawing, the Lindwurm series
The series Lindwurm consists of three upright formats of 150x300 cm each. The basic form is a variation of three possible forms of snakes (L.I = horizontal lines, L.II = vertical lines, each line being different lengths, L.III = only circular lines). The width of this basic form was chosen so that according to these parameters, only one possibility for the design remained open: The basic coal forms are again found on a grid of graphite, within which two grid squares correspond to the width of the basic form. It is this standard width from which the most aesthetic liquefaction of the charcoal monochrome results.
Conceptual drawing, the Lindwurm series
The series Lindwurm consists of three upright formats of 150x300 cm each. The basic form is a variation of three possible forms of snakes (L.I = horizontal lines, L.II = vertical lines, each line being different lengths, L.III = only circular lines). The width of this basic form was chosen so that according to these parameters, only one possibility for the design remained open: The basic coal forms are again found on a grid of graphite, within which two grid squares correspond to the width of the basic form. It is this standard width from which the most aesthetic liquefaction of the charcoal monochrome results.
Conceptual drawing, the Lindwurm series
The series Lindwurm consists of three upright formats of 150x300 cm each. The basic form is a variation of three possible forms of snakes (L.I = horizontal lines, L.II = vertical lines, each line being different lengths, L.III = only circular lines). The width of this basic form was chosen so that according to these parameters, only one possibility for the design remained open: The basic coal forms are again found on a grid of graphite, within which two grid squares correspond to the width of the basic form. It is this standard width from which the most aesthetic liquefaction of the charcoal monochrome results.
