top New paintings from Israel Mirit Ben-Nun

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Dora Woda

top New paintings from Israel Mirit Ben-Nun

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Dora Woda

top New paintings from Israel Mirit Ben-Nun

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Dora Woda

top New paintings from Israel Mirit Ben-Nun

The flute raises it's voice / what is it's story? / is it bad news or good ones or what? / It's about everything and all A poem by Nathan Alterman/ summer celebration

Mirit Ben-Nun’s paintings escape common description. An objective observation might describe it as contemporary art, though created by an upbeat young female artist, it is far from contemporary. This art possesses no “present day” defining elements. Mirit's paintings speak in a distant dialect seemingly of another era and location. By trying to pinpoint this time and place, we find ourselves wandering about without a solid grasping point. Her paintings are laced with a fire-like sensuality and striking colors. The naive and archetypal characteristics remind us of folk art. Reality is lost within the ‘erroneous’ size ratio of the numerous imagery, similarly to tribal and native art in Africa, Oceania and Australia. The surface is laboriously worked and replicated similarly to rug weaving techniques. Motifs of Western Pop can be found in many of the paintings. This combination of Primeval motifs and Western Modern Art creates cultural and historical tensions between here and there, then and now. Formatively speaking the paintings are schematically divided into colorful segments with no intermediate transitions. Strong and clear boundaries outline the different areas, each is populated with a happening, opposing or complementing the one next to it. In this fashion, for example, round shapes are confronted with geometric ones or human images with those of animals and plants. Often the paintings are outlined with a ‘frame' thereby uniting the parts and creating an enclosure, like a window within a window. As a result, unconventional compositions are created and shatter the conventional formula of the "Uniformity of subject, shape & color". The rule breaking strengthens the untamed quality of these ‘uncivilized’ paintings.

top New paintings from Israel Mirit Ben-Nun

The flute raises it's voice / what is it's story? / is it bad news or good ones or what? / It's about everything and all A poem by Nathan Alterman/ summer celebration

Mirit Ben-Nun’s paintings escape common description. An objective observation might describe it as contemporary art, though created by an upbeat young female artist, it is far from contemporary. This art possesses no “present day” defining elements. Mirit's paintings speak in a distant dialect seemingly of another era and location. By trying to pinpoint this time and place, we find ourselves wandering about without a solid grasping point. Her paintings are laced with a fire-like sensuality and striking colors. The naive and archetypal characteristics remind us of folk art. Reality is lost within the ‘erroneous’ size ratio of the numerous imagery, similarly to tribal and native art in Africa, Oceania and Australia. The surface is laboriously worked and replicated similarly to rug weaving techniques. Motifs of Western Pop can be found in many of the paintings. This combination of Primeval motifs and Western Modern Art creates cultural and historical tensions between here and there, then and now. Formatively speaking the paintings are schematically divided into colorful segments with no intermediate transitions. Strong and clear boundaries outline the different areas, each is populated with a happening, opposing or complementing the one next to it. In this fashion, for example, round shapes are confronted with geometric ones or human images with those of animals and plants. Often the paintings are outlined with a ‘frame' thereby uniting the parts and creating an enclosure, like a window within a window. As a result, unconventional compositions are created and shatter the conventional formula of the "Uniformity of subject, shape & color". The rule breaking strengthens the untamed quality of these ‘uncivilized’ paintings.

top New paintings from Israel Mirit Ben-Nun

The flute raises it's voice / what is it's story? / is it bad news or good ones or what? / It's about everything and all A poem by Nathan Alterman/ summer celebration

Mirit Ben-Nun’s paintings escape common description. An objective observation might describe it as contemporary art, though created by an upbeat young female artist, it is far from contemporary. This art possesses no “present day” defining elements. Mirit's paintings speak in a distant dialect seemingly of another era and location. By trying to pinpoint this time and place, we find ourselves wandering about without a solid grasping point. Her paintings are laced with a fire-like sensuality and striking colors. The naive and archetypal characteristics remind us of folk art. Reality is lost within the ‘erroneous’ size ratio of the numerous imagery, similarly to tribal and native art in Africa, Oceania and Australia. The surface is laboriously worked and replicated similarly to rug weaving techniques. Motifs of Western Pop can be found in many of the paintings. This combination of Primeval motifs and Western Modern Art creates cultural and historical tensions between here and there, then and now. Formatively speaking the paintings are schematically divided into colorful segments with no intermediate transitions. Strong and clear boundaries outline the different areas, each is populated with a happening, opposing or complementing the one next to it. In this fashion, for example, round shapes are confronted with geometric ones or human images with those of animals and plants. Often the paintings are outlined with a ‘frame' thereby uniting the parts and creating an enclosure, like a window within a window. As a result, unconventional compositions are created and shatter the conventional formula of the "Uniformity of subject, shape & color". The rule breaking strengthens the untamed quality of these ‘uncivilized’ paintings.

top New paintings from Israel Mirit Ben-Nun

The flute raises it's voice / what is it's story? / is it bad news or good ones or what? / It's about everything and all A poem by Nathan Alterman/ summer celebration

Mirit Ben-Nun’s paintings escape common description. An objective observation might describe it as contemporary art, though created by an upbeat young female artist, it is far from contemporary. This art possesses no “present day” defining elements. Mirit's paintings speak in a distant dialect seemingly of another era and location. By trying to pinpoint this time and place, we find ourselves wandering about without a solid grasping point. Her paintings are laced with a fire-like sensuality and striking colors. The naive and archetypal characteristics remind us of folk art. Reality is lost within the ‘erroneous’ size ratio of the numerous imagery, similarly to tribal and native art in Africa, Oceania and Australia. The surface is laboriously worked and replicated similarly to rug weaving techniques. Motifs of Western Pop can be found in many of the paintings. This combination of Primeval motifs and Western Modern Art creates cultural and historical tensions between here and there, then and now. Formatively speaking the paintings are schematically divided into colorful segments with no intermediate transitions. Strong and clear boundaries outline the different areas, each is populated with a happening, opposing or complementing the one next to it. In this fashion, for example, round shapes are confronted with geometric ones or human images with those of animals and plants. Often the paintings are outlined with a ‘frame' thereby uniting the parts and creating an enclosure, like a window within a window. As a result, unconventional compositions are created and shatter the conventional formula of the "Uniformity of subject, shape & color". The rule breaking strengthens the untamed quality of these ‘uncivilized’ paintings.

top New paintings from Israel Mirit Ben-Nun

The flute raises it's voice / what is it's story? / is it bad news or good ones or what? / It's about everything and all A poem by Nathan Alterman/ summer celebration

Mirit Ben-Nun’s paintings escape common description. An objective observation might describe it as contemporary art, though created by an upbeat young female artist, it is far from contemporary. This art possesses no “present day” defining elements. Mirit's paintings speak in a distant dialect seemingly of another era and location. By trying to pinpoint this time and place, we find ourselves wandering about without a solid grasping point. Her paintings are laced with a fire-like sensuality and striking colors. The naive and archetypal characteristics remind us of folk art. Reality is lost within the ‘erroneous’ size ratio of the numerous imagery, similarly to tribal and native art in Africa, Oceania and Australia. The surface is laboriously worked and replicated similarly to rug weaving techniques. Motifs of Western Pop can be found in many of the paintings. This combination of Primeval motifs and Western Modern Art creates cultural and historical tensions between here and there, then and now. Formatively speaking the paintings are schematically divided into colorful segments with no intermediate transitions. Strong and clear boundaries outline the different areas, each is populated with a happening, opposing or complementing the one next to it. In this fashion, for example, round shapes are confronted with geometric ones or human images with those of animals and plants. Often the paintings are outlined with a ‘frame' thereby uniting the parts and creating an enclosure, like a window within a window. As a result, unconventional compositions are created and shatter the conventional formula of the "Uniformity of subject, shape & color". The rule breaking strengthens the untamed quality of these ‘uncivilized’ paintings.

top Artist from Israel Mirit Ben-Nun drawings and paintings

Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.

These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.

Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.

The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.

Dora Woda

top Mirit Ben-Nun Israeli art paintings and drawings art woman faces

Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.

These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.

Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.

The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.

Dora Woda