top Artist from Israel Mirit Ben-Nun drawings and paintings

Mirit Ben-Nun’s art exists within and beyond reality. She moves away from reality with aggressive and dense colorfulness which reveals an inner testimony of a threatened existence of women. The lines, points and shapes do not reproduce facts but emphasize the special charge of emotional coping.

Mirit Ben-Nun shows a rebellious spirit and tries to reach out to things not through wholeness but via searching for their expression and manifestation.

She explores personal identity and through it tries to define a complementary art, thereby illustrating the world and the nature of human culture. She focuses on the expressive dimension because of the exposure afforded by the uncontrollable moment that so much affects life in a rapidly changing global world.
The discourse between the inner world and the emerging reality is hyperactive and generates in Ben - Nun an endless sequence of works.

From the depths of feelings, dreams, anxieties and expressions arise rigid and exciting meanings of existence whose essence expresses adaptation difficulties and restlessness.

Dora Woda

top Mirit Ben Nun Israeli artwork paintings and drawings art

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.

The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.

Dora Woda

top Israeli artist works paintings and drawings art woman faces

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.

The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.

Dora Woda

top Art of feminism pictures by Mirit Ben-Nun

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.

The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.

Dora Woda

top Artist from Israel Mirit Ben-Nun drawings and paintings

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.

For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.

The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.

Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.

The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.

Dora Woda

top Artist from Israel Mirit Ben-Nun drawings and paintings

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Art of feminism pictures by Mirit Ben-Nun

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Artist from Israel Mirit Ben-Nun drawings and paintings

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Israeli artist works paintings and drawings art woman faces

Mirit Ben-Nun's art usually exists independently of reality, she even dares to move it away. Her aggressiveness in the use of primary colors along with bright tones, reveal Her autonomy in relation to shapes. The lines, the points and the forms do not try to imitate reality but rather give each work a unique importance showing the emotional charge of the artist.The artist has a spirit of rebellion, new ideas, trying to overcome without seeking perfection, just looking for expression. Through her work she explores personal identity trying to redefine the art itself. Its purpose is to describe and illustrate or to reproduce the world and the nature of human civilization, focusing primarily on the dominant exposure of the expressive function.His art is made by an artist that reflects the complex problems that shape our diverse, global and rapidly changing world, trying to redefine art.

Dora Woda

top Israeli artwork paintings and drawings art woman faces

The painting is engulfing as a result of being primitive, free from justification and the sense of guilt for not being intellectual. It comes from the unconscious creative the psychological drive which is not adapted to a language of nuances and does not require decoding.
Mirits spectator is bombarded with a colorful abundance, with repeating images and metaphors that are easily perceived and identified. For the person who is accustomed to the sophisticated art form, this is a fresh breath of immediate beauty.
Perhaps this is the place and the time to go deeper into the roots of a culture which for generations now has been obscured with theories and isms.
David Gerstein