ALCHEMY(From the hisp. ar. alkímya, this one from the class ar. k?miy?['],and this one from the gr. ??????, mixture of liquids).

1. f. Conjunction of speculations and experiencies, generally of an esoteric character, relative to the transmutation of matter, which influenced the origen of quemical science.It´s principal goal was the search for universal panacea.
2. f. Marvellous and incredible transmutation.

“The alchemist (…) gave the redentor suffering a larger dimension by associating matter to the human drama, all the while, until then, it had been an obstacle. The alchemist is freed with and by matter.”. Jacques van Lennep

“A disciple asked Socrates: Master, should I marry? And the great philosopher responded: Whatever you do you will regreat it.”

Brides offered, brides arranged, brides bought, brides genuinly in love, pass through the ritual of marriage with the hope of eternat love (universal panacea? ) The dress represents the illusion, the love, the beginning. It offeres the alchemic property of transormation. The normal becomes extraorinary. What happens to the illusions once the dress is put away? What happens when you become part od the “after”? What lies beHow to offer resistance to household mediocrity?

A poem is the alchemic element that brings back the magic of transformation to a bunch of forgotten dresses.

I buckle my wish

That I be at the right moment
at the right place,
that love comes back quickly,
that sex responds,
that forgiveness doesn´t arrive too late,
that living not be a utopia.

I desire to have desire,
that violence not exist
that I do not loose wonder
that I find what I am looking for.
That when I want to loose myself
nobody finds me.
That sometimes never is not always
and that always is not always.

BanySol Alvarez-Errecalde (1965-2007)

On a personal level I realized this exhibition basing myself on a poem written by one of my sisters that recently passed away, transmuted the apin of her absensence in union and complicity.

ALCHEMY(From the hisp. ar. alkímya, this one from the class ar. k?miy?['],and this one from the gr. ??????, mixture of liquids).

1. f. Conjunction of speculations and experiencies, generally of an esoteric character, relative to the transmutation of matter, which influenced the origen of quemical science.It´s principal goal was the search for universal panacea.
2. f. Marvellous and incredible transmutation.

“The alchemist (…) gave the redentor suffering a larger dimension by associating matter to the human drama, all the while, until then, it had been an obstacle. The alchemist is freed with and by matter.”. Jacques van Lennep

“A disciple asked Socrates: Master, should I marry? And the great philosopher responded: Whatever you do you will regreat it.”

Brides offered, brides arranged, brides bought, brides genuinly in love, pass through the ritual of marriage with the hope of eternat love (universal panacea? ) The dress represents the illusion, the love, the beginning. It offeres the alchemic property of transormation. The normal becomes extraorinary. What happens to the illusions once the dress is put away? What happens when you become part od the “after”? What lies beHow to offer resistance to household mediocrity?

A poem is the alchemic element that brings back the magic of transformation to a bunch of forgotten dresses.

I buckle my wish

That I be at the right moment
at the right place,
that love comes back quickly,
that sex responds,
that forgiveness doesn´t arrive too late,
that living not be a utopia.

I desire to have desire,
that violence not exist
that I do not loose wonder
that I find what I am looking for.
That when I want to loose myself
nobody finds me.
That sometimes never is not always
and that always is not always.

BanySol Alvarez-Errecalde (1965-2007)

On a personal level I realized this exhibition basing myself on a poem written by one of my sisters that recently passed away, transmuted the apin of her absensence in union and complicity.

ALCHEMY(From the hisp. ar. alkímya, this one from the class ar. k?miy?['],and this one from the gr. ??????, mixture of liquids).

1. f. Conjunction of speculations and experiencies, generally of an esoteric character, relative to the transmutation of matter, which influenced the origen of quemical science.It´s principal goal was the search for universal panacea.
2. f. Marvellous and incredible transmutation.

“The alchemist (…) gave the redentor suffering a larger dimension by associating matter to the human drama, all the while, until then, it had been an obstacle. The alchemist is freed with and by matter.”. Jacques van Lennep

“A disciple asked Socrates: Master, should I marry? And the great philosopher responded: Whatever you do you will regreat it.”

Brides offered, brides arranged, brides bought, brides genuinly in love, pass through the ritual of marriage with the hope of eternat love (universal panacea? ) The dress represents the illusion, the love, the beginning. It offeres the alchemic property of transormation. The normal becomes extraorinary. What happens to the illusions once the dress is put away? What happens when you become part od the “after”? What lies beHow to offer resistance to household mediocrity?

A poem is the alchemic element that brings back the magic of transformation to a bunch of forgotten dresses.

I buckle my wish

That I be at the right moment
at the right place,
that love comes back quickly,
that sex responds,
that forgiveness doesn´t arrive too late,
that living not be a utopia.

I desire to have desire,
that violence not exist
that I do not loose wonder
that I find what I am looking for.
That when I want to loose myself
nobody finds me.
That sometimes never is not always
and that always is not always.

BanySol Alvarez-Errecalde (1965-2007)

On a personal level I realized this exhibition basing myself on a poem written by one of my sisters that recently passed away, transmuted the apin of her absensence in union and complicity.

ALCHEMY(From the hisp. ar. alkímya, this one from the class ar. k?miy?['],and this one from the gr. ??????, mixture of liquids).

1. f. Conjunction of speculations and experiencies, generally of an esoteric character, relative to the transmutation of matter, which influenced the origen of quemical science.It´s principal goal was the search for universal panacea.
2. f. Marvellous and incredible transmutation.

“The alchemist (…) gave the redentor suffering a larger dimension by associating matter to the human drama, all the while, until then, it had been an obstacle. The alchemist is freed with and by matter.”. Jacques van Lennep

“A disciple asked Socrates: Master, should I marry? And the great philosopher responded: Whatever you do you will regreat it.”

Brides offered, brides arranged, brides bought, brides genuinly in love, pass through the ritual of marriage with the hope of eternat love (universal panacea? ) The dress represents the illusion, the love, the beginning. It offeres the alchemic property of transormation. The normal becomes extraorinary. What happens to the illusions once the dress is put away? What happens when you become part od the “after”? What lies beHow to offer resistance to household mediocrity?

A poem is the alchemic element that brings back the magic of transformation to a bunch of forgotten dresses.

I buckle my wish

That I be at the right moment
at the right place,
that love comes back quickly,
that sex responds,
that forgiveness doesn´t arrive too late,
that living not be a utopia.

I desire to have desire,
that violence not exist
that I do not loose wonder
that I find what I am looking for.
That when I want to loose myself
nobody finds me.
That sometimes never is not always
and that always is not always.

BanySol Alvarez-Errecalde (1965-2007)

On a personal level I realized this exhibition basing myself on a poem written by one of my sisters that recently passed away, transmuted the apin of her absensence in union and complicity.

“TALLAS” is an installation of a ficticious store where fifty body suits made of women of different ages, races and sizes are on display. It is common to see advertising where women are objectify, they are presented as objects to acquire or as accessories that give status.
This exhibition comes from the need to give a sincere representation which confronts the massive amount of advertising that exposes us to millons of images of the same woman, the “perfect one”. “TALLAS” surges from unretouched photographs that allow us to see wrinkles, scars, hair, beautiful “imperfections” of the bodies that grow, love, suffer, live.
¨TALLAS" invites us to put on someone else´s skin, to question what stops us from showing ourselves as we really are, and shows the irony of that everthing, specially our own nature, becomes part of what is for sale in the market.
“TALLAS” incites a reflexion about how society treats the female body. Examines the result of the objectification. Allows the visibility of marks that are still taboo in the standar view of beauty. Through this work I question the value of life in relation to arbitrary attributes such as our place of origin and our appearances.

“TALLAS” is an installation of a ficticious store where fifty body suits made of women of different ages, races and sizes are on display. It is common to see advertising where women are objectify, they are presented as objects to acquire or as accessories that give status.
This exhibition comes from the need to give a sincere representation which confronts the massive amount of advertising that exposes us to millons of images of the same woman, the “perfect one”. “TALLAS” surges from unretouched photographs that allow us to see wrinkles, scars, hair, beautiful “imperfections” of the bodies that grow, love, suffer, live.
¨TALLAS" invites us to put on someone else´s skin, to question what stops us from showing ourselves as we really are, and shows the irony of that everthing, specially our own nature, becomes part of what is for sale in the market.
“TALLAS” incites a reflexion about how society treats the female body. Examines the result of the objectification. Allows the visibility of marks that are still taboo in the standar view of beauty. Through this work I question the value of life in relation to arbitrary attributes such as our place of origin and our appearances.

“TALLAS” is an installation of a ficticious store where fifty body suits made of women of different ages, races and sizes are on display. It is common to see advertising where women are objectify, they are presented as objects to acquire or as accessories that give status.
This exhibition comes from the need to give a sincere representation which confronts the massive amount of advertising that exposes us to millons of images of the same woman, the “perfect one”. “TALLAS” surges from unretouched photographs that allow us to see wrinkles, scars, hair, beautiful “imperfections” of the bodies that grow, love, suffer, live.
¨TALLAS" invites us to put on someone else´s skin, to question what stops us from showing ourselves as we really are, and shows the irony of that everthing, specially our own nature, becomes part of what is for sale in the market.
“TALLAS” incites a reflexion about how society treats the female body. Examines the result of the objectification. Allows the visibility of marks that are still taboo in the standar view of beauty. Through this work I question the value of life in relation to arbitrary attributes such as our place of origin and our appearances.

“TALLAS” is an installation of a ficticious store where fifty body suits made of women of different ages, races and sizes are on display. It is common to see advertising where women are objectify, they are presented as objects to acquire or as accessories that give status.
This exhibition comes from the need to give a sincere representation which confronts the massive amount of advertising that exposes us to millons of images of the same woman, the “perfect one”. “TALLAS” surges from unretouched photographs that allow us to see wrinkles, scars, hair, beautiful “imperfections” of the bodies that grow, love, suffer, live.
¨TALLAS" invites us to put on someone else´s skin, to question what stops us from showing ourselves as we really are, and shows the irony of that everthing, specially our own nature, becomes part of what is for sale in the market.
“TALLAS” incites a reflexion about how society treats the female body. Examines the result of the objectification. Allows the visibility of marks that are still taboo in the standar view of beauty. Through this work I question the value of life in relation to arbitrary attributes such as our place of origin and our appearances.