Alone to the invisible touch

Signed acrylic on canvas stretched over wooden chassis / edges are painted purple black / ready to hang
64 x 64 x 2 cm
Signed February 2015
700$ free international shipping
please contact me at kloskartstudio@gmail.com or by phone 0040720190320
thanks
official website
http://www.kloskart.com

"Kloska, seeking the road to Damascus

Certainly, the art signed by Kloska is taking part into the creators major effort to detect and express the essences of human beings, just as it shaped by the all times. Fallen into the subject of the temporal, in a sub-solar space, the humanity find itself forced to twist its spirit, almost mutilate it, referencing to the crossed historical and moral times.
The perpetual metamorphosis of the spirit produced visible traces, often even into the meat surface, at the human figure, where the artist Kloska searched and seacking to capture, through specific tools or effort, almost demiurge, kneading whole inner man, subconsciously placed beyond .
Whether artistic expression occurs in stone, metal or on canvas, she plays, possibly, a certain portion of the mystery that lies in nuce, in the most hidden place of human beings, where the spirit - today as a mustard bean detached from the universal primary fire - is still flashing and keep alive the being state of human nature, spoiled by the original divine gesture of unique genesis.
Undoubtedly, the human universe is as exciting to explore as the outside world as human beings, taking, however, urging the ancient Elders, who left at some point the investigation of the macrocosm in favor of the research of the microcosm typical to human being, so Kloska is taking this route of the ancients over the light of modern art, showing, following the impression that he left to us, as he is founding himself in a deep search of that THING of which many others turned to long time ago before him, respectively the Absolute detection.
Artistic methods means no comment, they completely belong to the author, who seems to be stuck in a sustainable areas, by the very matter in which his artistic approach consists in stone,and also in metal. So is also added, the dimarch on canvas witch is transposing the same stihial trend, detected in the works that had as the base the stone, as it is finded molded by Other hands, namely of the Creator himself.
The acquisition of divine design and the self try to remake a route to the being roots of the humanity - when, she was still finding in her lighter period - is representing a titanic effort for every artist; so, that's why Kloska himself, taking part at the same investigation, he is working a lot, reminding us of the sisific effort of the mythical character, the same of witch we should imagine happy, especially in the time that he was coming down from the top of the mountain to the base of it, for reassuming the eternally effort.
The throes caught by the artist , on the faces fixed in stone, metal or on the canvas, are showing us the exact last stage of the human existence before the Apocalypse, the event announced not only by the Bible but also by many other great book of humanity, in different times and particular moments; placing us in a spiritual level, where is proper to insist on the idea of the extinction of the actual human kind - the extinction announced also by the Kloska's artworks - in the sens that is not about a biological disparition, on contrary, pointing to a radical metamorphisms of the world, at a specific moment, so as to have the possibility to reborn again complete, rounded,perfect, as at the beginnings, when it was saying, that it was traversing an absolute age, perfect in all respects, unaltered by further progress subject to time devorated consuming.
Hope that will come a time when mankind will radically transform itself, is rendered by the Angels's world that crossing the creations of Ovidiu Kloska, a sensed world, based on the true believe of a superior existence to which human beings can tend to their path to Eternity.
Kloska is an young artist, noted already in the so demanding world of the artists. He is continuing to seek the road to Damascus, but on witch we are confident, that one day, he will have the happiness to know it."

Prof.dr.Fl.Agafitei - writter, indianistic expert

700$ free international shipping
please contact me at kloskartstudio@gmail.com or by phone 0040720190320
thanks
official website
http://www.kloskart.com

Kloska reviews :

"Fall into Time...

With the new creations of the painter Ovid Kloska, the ethic and aesthetic problem of the re-discussing The Intervalul witch separetes, but also is approaching the mundane world, sub-solar, by the celestial one, is returning with power in the actuality of a time whose spiritual landmarks seem to have been permanently forgotten by humanity.
The Interval between the terrestrial and celestial world, understood not only as a vacuum, but as a place filled with angels and humans alike, is offering the chance of the absorption of all with the open spirit, in the redemptive light that systematically and gradually shaping around each angel "made" by the artist. Kloska's Angels – if we are allowed in this forcing in both the ideea and the expressing – in their oscillation between Absolute and Mental Misery, they are offering in susidary the alternative of the a redemption, a spiritual salvation, a deliverance from the iron ring of material existence expressed through the corporality where the spirit is constrained to exist a periode, whose essence can only just only one and expressed by the atributes specific to the intangible. It is known, the spirit can only be absolutely free !
The vector that demonstrates this fact is just the atypical angel from Kloska's creation, whereas, although apparently contaminated by the intrinsic suffering specific to the human kind, he manifests the liberty of the own self by the fantastic play of light developed in various forms, some more surprising than others.
The angel, understud as the messanger, as the intermediary between this two worlds– althrough, the binary perceived in this way is reducing with high amount the spiritual essence of the Great Interval – propossing o diferent intra-existential variant, a being one, that brakes spaces considered immutable and fixed, developing in this way both paradigms that are imposibil to concept and perceived by the ordinary minds. We observ, by the way, how the artist is astonishing events suis-generis – corporal-humanlly of the angels, in this way redirecting the biblic elan, born after the gesture, according to which God created the human after His own face; to Kloska, the angels, as extensions of God, are created with the face and kind of the man, as it crushed in its own Sisyphean terrestrial misery , more than in the happiness of the transcendental origin.
The corporality of the angels, the aparition of the hands in the grave oniric image, de-veiled by a world of a beggining of the increated Create, is shocking appears like an explosion, with feelings specific to human kind, marked by special portrets, some fallen into deep meditation, some exteriorizing experiences in the vicinity of wonder, or intimidation before the big Pass, or instant illuminations, cold detachment, eternal ends.
Sensational Construct, the apparently body of the angel – angels – is captured by visible and invisible plane, intuit, but; we have to deal with secondary corporality much more inferred then rational, in the means of non-reproduction. It develops successfully like a feeling and has the power to mark, in our opinion, the beggining of a new road in contemporary art; adding the figure – the figures, respective the faces of the angels, that seem to merge into the dark - light background, continuing, in this way, idea of escaping from himself and, thereby, from the negative constraints of the material world .
The duality presented by the body and the spirit, by the light and dark, is creating the deceptive impression of the idea once expressed by M. Foucault, that „everything looks like everything, any with any”, but the artist knows how to avoid clichés, old cultural assumptions of the space where he makes his aesthetic moves, creating the sensation of certain easily, nowise of lightness, his images not giving us the impression that they are ready-made, resulting from some habits of thought or reflexes studied in the mirror.
We are dealing with a braking of patterns of descartiene thinking, that once required a direct reasoning, without intermediaries, because the author proposes us a mediated thinking even by the angels that becamed, as Durand wrote: „ symbols of the symbolic function itself ”; instead of disappearing , the angels are re-appearing in force in a time that requires more than ever the presence of them as the singular support of our salvation as ourselves.
The twistings of the soul are leisurely investigated, and the reactions developed through the recent creation are compressing the revealing groan of the invalid contemporary man, suggesting, in a way, an extraordinary thing: that even the spirits can be negotiated, at the end. But this is only a suggestion, that send us to the told of Rabelais, that even „ the fishes are howling”.
The Transcendence is replaced with special energies that are downing into the body, and this fact and this is no more than the artist's eternal search for self, the search of the spirit forced to live in a desolate world, but where opportunelly appears, a saving wing of an angel.
This thing is very visible in Kloska's creation, whereas, at a time, the hands of the angels are becaming wings of orange light, the detachment from what is common and characteristic to the man is detaching , then, trenchant, showing us that the artist has, truly, an organ that is necessary to receive the subtly mystical phenomena, almost paradoxical revealed by the materiality elements of this world.
Opposites opposition, you will say; and we agree!"

Prof.dr. Fl.Agafitei
November 2010