has been for sale for some time, as you have seen. The maintenance and ongoing development to keep our non-profit and idealistic platform for contemporary art running and safe from hackers etc. costs money that is no longer there. Because of small investments that are necessary now and the running costs, we will have to shut down with a heavy heart at the beginning of summer on June 21.
THE PAINTER HENRIQUE NEIVA, DEVELOPS ' TO MANY YEARS RESEARCH WITH ACRYLIC INKS MIXED ' DIVERSE ORES AND OTHER ELEMENTS AS CEMENT AND LANDS, MAINLY IN ITS PAINTINGS Of THE SERIES “ MUROS” ( WALLS ).
THE WORKS ARE EXECUTED IN MIXING TECHNIQUE ON CANVAS WITH RELIVES AND TEXTURES AND USING THE FOLLOWING ELEMENTS: NATURAL LAND PIGMENTS; OXIDES OF IRON, POWDER OF MARBLE , DOLOMITA, NATURAL CRYSTALS OF QUARTZO;PIGMENTS OF GOLD, SILVER, COPPER , BRONZE, AND DIVERSE BRAZILIAN ORES.
THIS WORKMANSHIP WAS EXECUTED IN MIXED TECHNIQUE ON CANVAS WITH RELIVES AND TEXTURES AND USING THE FOLLOWING ELEMENTS: NATURAL LAND PIGMENTS; OXIDES OF IRON, MARBLE DUST, DOLOMITA, NATURAL CRYSTALS OF QUARTZO;PIGMENTS OF GOLD, SILVER, HAVE COVERED, BRONZE, AND DIVERSE BRAZILIAN ORES.
THIS WORKMANSHIP WAS EXECUTED IN MIXED TECHNIQUE ON CANVAS WITH RELIVES AND TEXTURES AND USING THE FOLLOWING ELEMENTS: NATURAL LAND PIGMENTS; OXIDES OF IRON, MARBLE DUST, DOLOMITA, NATURAL CRYSTALS OF QUARTZO;PIGMENTS OF GOLD, SILVER, HAVE COVERED, BRONZE, AND DIVERSE BRAZILIAN ORES.
Mirit Ben Nun
Born August 8, 1966
These paintings express a personal need to delineate images and fantasies abundant with
color and emotional explosion. Signs, lines and the materials appear of their own volition
and develop as an external language bridging the eye, the hand and the painted surface.
During the making of a painting the power of the shapes emanate from an unconscious
and concealed inner dimension.
Line by line, painting after painting while repeating shapes and patterns, a creation
evolves into new shapes and patterns. With a determination that reaches obsession, Mirit
Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of
primitive ornamentation provides the artwork with a tribal facet on one hand and a
feminine touch on the other, encompassing embroidery, bead threading and weaving
among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic
at times, which empowers her authentic expression.
Dr. Gidion Ofrat and Ami Steinitz
Mirit Ben Nun
Born August 8, 1966
These paintings express a personal need to delineate images and fantasies abundant with
color and emotional explosion. Signs, lines and the materials appear of their own volition
and develop as an external language bridging the eye, the hand and the painted surface.
During the making of a painting the power of the shapes emanate from an unconscious
and concealed inner dimension.
Line by line, painting after painting while repeating shapes and patterns, a creation
evolves into new shapes and patterns. With a determination that reaches obsession, Mirit
Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of
primitive ornamentation provides the artwork with a tribal facet on one hand and a
feminine touch on the other, encompassing embroidery, bead threading and weaving
among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic
at times, which empowers her authentic expression.
Dr. Gidion Ofrat and Ami Steinitz
