top Cinder

, Fallen Princesses series was born in 2007 out of deep personal pain, when she raged against the “happily ever after” motif we are spoon fed since childhood. The series creates metaphor out of the myths of fairy tales, forcing the viewer to contemplate real life: failed dreams, addiction, obesity, Cancer, the extinction of indigenous culture, pollution, war and the fallacy of chasing eternal youth. By embracing the textures and colors created by Walt Disney, which built a multi-billion dollar empire exploiting these fairy tales, Fallen Princesses exposes the consumerism that has negated the morality of these ancient parables. It also begs the question, "How do we define the concept of ‘good’? and how do we live a ‘good’ life?”

top Mars

paper negative on traditional photographic paper with selectively applied chemicals

top Analogdigital I

digital image negative made into a paper negative and projected onto two panels 7 feet wide by 6 feet tall.
The transition from analog to digital and the inverse of miniaturization to information.

top Analogdigital II

digital image negative made into a paper negative and projected onto two panels 7 feet wide by 6 feet tall.
The transition from analog to digital and the inverse of miniaturization to information.

top Warm House Tilt
top Magic

Magic, a black and white exploration of various intent.

top Kleine Wiese

Kleine Wiese
18 x 24 cm
Öl auf Leinw.
2006

Detlev Foth

top Satan

The work is a visual analysis of religious faith within the context of the modern forces of technology, science and secularism. The series plays with narrative and religious iconography in order to communicate how organized belief has become twisted within a global framework driven by consumerism and greed. The project challenges the viewer — religious or secular — to embark on a journey of self-reflection as they contemplate the relevance of dogma in modernity.