Series of drawings

top 11 Luna Subrepticia part 1

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece.

top 12 Luna Subrepticia part 2

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece.

top 13 Luna Subrepticia part 3

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece..

top 14 Luna Subrepticia part 4

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece.

top 15 Luna Subrepticia part 5

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece.

top 16 Luna Subrepticia  part 6

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece.

top 17 Luna Subrepticia part 7

Series of drawings that have been painted by listening to the work "Portae et Ancora" by Pablo Pirnay-Dummer. The drawings were made in real time to the music. There was no break between the musical pieces. Each painting "begins" with the first and "ends" with the last note of every piece.