has been for sale for some time, as you have seen. The maintenance and ongoing development to keep our non-profit and idealistic platform for contemporary art running and safe from hackers etc. costs money that is no longer there. Because of small investments that are necessary now and the running costs, we will have to shut down with a heavy heart at the beginning of summer on June 21.
Ziad Zitoun is visual artist who works in video art, installations and digital arts. In 2008 he started to develop digital-art pictures and installations with visual art perspectives.
Topics and inspirations of Ziad-Helmi Zitoun turn around migrants rights, trans-borders movements, refugees history them artworks speak about humans rights and human condition of people in movements.
Ziad-Zitoun searchs visual elements which can create an aesthetic of migrant life and freedom of moving people in a Mediterranean area.
http://www.ziadzitoun.com/
Ziad Zitoun is visual artist who works in video art, installations and digital arts. Starts his Video artworks in 2004 with Across my border, China beat documents.
Following his experimentations with a video dance show named Nebula.000. In 2008 he started to develop digital-art pictures and installations with visual art perspectives.
Topics and inspirations of Ziad-Helmi Zitoun turn around migrants rights, trans-borders movements, refugees history them artworks speak about humans rights and human condition of people in movements.
Ziad-Zitoun searchs visual elements which can create an aesthetic of migrant life and freedom of moving people in a Mediterranean area.
http://www.ziadzitoun.com/
Mediterranea - Shared & Divided is visual art project about in the Mediterranean area. The interdisciplinary project explore photography, mixed-media and installation for create contemporary pictures of mediterranean area. Between Sarajevo, Tunisia, Istanbul and Cairo we promote a dialogue among communities sharing commons backgrounds. In a actual fragmentation of Mediterranean area due of an hard european migration politic, artists propose new visual artworks for contribute to pluralism, diversity and multiculturalism dialogue.
http://www.ziadzitoun.com/
I am fascinated of a form that is described as docufiction—fiction in the form of a documentary—and something that can mess with your head.
The starting point for this series was two huge industry halls at an abandoned shipyard, situated in Fredrikstad (FMV).
The images creates some sort of a “hyper realism” – a realism that at all times is anchored through documentation, but that at the same time creates a fictive zone that makes possible retrospective as well as sideways views onto the real world. I’ve worked associatively and let the rooms tell me what shall happen to them.
Today these halls have been thorn down. In that perspective “Beddingwood” becomes just a quiet contemplation over something that is gone forever.
