top Detail The day picture was born. Detail : "Manowar (abstraction

Detail Holograms-serie "“Once upon a time ou l'emergeance de l'homme véritable”, 2015

Detail : "Manowar (abstraction as ideologies- vision of power").
After the abstraction on the subject, abstraction as an ideology. As design of the society. -Tatlin’s Tower Monument to the Third-International, constructivist masterpiece and symbol of modernity, of the artist and Russian architect Vladimir Tatlin in 1910- 1920 but which was never built. -The Syrian refugees flowing to Iraq (Kurdistan). Press photo.

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top Detail The day picture was born. Detail : "Logos":

Detail Holograms-serie "“Once upon a time ou l'emergeance de l'homme véritable”, 2015

Detail : "Logos": work on the physiological aspect of abstraction according to Jean Clottes, (historian of the prehistory, whose researches emphasize on the shaman-trance and the cave abstraction). Then the shamanic trance experiences (cave art) will be confronted with the avant-gardes discoveries of the modernity (work: actor in the shaman role and abstract motiv : Ellsworth Kelly “ Sanary” 1952 Oil on wood “)

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top Detail The day picture was born. Detail : "time as a desert (abs

Detail Holograms-serie "“Once upon a time ou l'emergeance de l'homme véritable”, 2015

Detail : "time as a desert (abstraction sur l'objet- l'objet de mes préoccupations)" : -the designed chair „Floris“ of Günter Beltzig, 1967 and the fragment of a propulseur carved and engraved with three horse heads at three different ages of life. Dimensions : H. 16,5 cm ; L. 9 cm ; P. 1,7 cm, reindeer wood, Ariège, grotte du Mas-d’Azil, around 15 000 bf. J.-C. Founded by Edouard Piette.

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top Detail The day picture was born "Ford… you’re turning into a pen

Detail Holograms-serie "“Once upon a time ou l'emergeance de l'homme véritable”, 2015

Detail : "Ford… you’re turning into a penguin. Stop it ": Porcelaine de Sèvres du XVIII century and blue grid.

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top Paradigmenwechseln – crossWORLD . Serie Rätselbiler

… pieces in making among others…

Paradigmenwechseln – crossWORLD . Serie Rätselbiler – crossword

Mesure du doute (body of meaning), 2014, a first “historic- citation” not illustrated), will be further developped into a serie of larger formats included more complexe narrations from the world lof litterature and decorative ornements called

„Paradigmenwechsel“ : The effect engage the spectator to create his own fiction- story with the words he catches and continues his way in the exhibition. Its about memory and the mirror-effect one has while reading. It appends something very subjective, that is not in the text of the book.

The question is running around the notion of decoratif as an empty space, in a positiv sense, (Decor by M.Broothaers) a stage to be filled with some extern contents, of all possible sorts…. Paradigmen Wechseln, changing paradigms, is the changing roles, the moving of the fonctions abstraction-figuration, text and image, by the disolution or liquefying of the surface of representation, (making it ornemental) as mimesis, bluring the abstraction and figuration tracks, offering the spectator to find is own sel

With extracts for exemple from H.Melville Moby DickDickens, Beckett Godo, Dickens “great expectation- Miss Havisham”- G. of Monmouth “The history of the kings of Britain”, Lovecraft “ the dream in the witch house”. Stendhal “le rouge et le noir, Schiller die Räuber, … and many others literature master pieces. it will be a serie of big size silkscreen on rectangular canvas.

top Paradigmenwechseln – crossWORLD . Serie Rätselbiler

Paradigmenwechseln – crossWORLD . Serie Rätselbiler – crossword

Mesure du doute (body of meaning), 2014, a first “historic- citation” not illustrated), will be further developped into a serie of larger formats included more complexe narrations from the world lof litterature and decorative ornements called

„Paradigmenwechsel“ : The effect engage the spectator to create his own fiction- story with the words he catches and continues his way in the exhibition. Its about memory and the mirror-effect one has while reading. It appends something very subjective, that is not in the text of the book.

The question is running around the notion of decoratif as an empty space, in a positiv sense, (Decor by M.Broothaers) a stage to be filled with some extern contents, of all possible sorts…. Paradigmen Wechseln, changing paradigms, is the changing roles, the moving of the fonctions abstraction-figuration, text and image, by the disolution or liquefying of the surface of representation, (making it ornemental) as mimesis, bluring the abstraction and figuration tracks, offering the spectator to find is own sel

With extracts for exemple from H.Melville Moby DickDickens, Beckett Godo, Dickens “great expectation- Miss Havisham”- G. of Monmouth “The history of the kings of Britain”, Lovecraft “ the dream in the witch house”. Stendhal “le rouge et le noir, Schiller die Räuber, … and many others literature master pieces. it will be a serie of big size silkscreen on rectangular canvas.

top studio
top "Clairvoyant memories" Babylone

"Clairvoyant memories" 150x150 Silkscreen on canvas and
""De Natura Rerum (de la nature des choses). Collage photographique, 40X50 cm. 2015.

top Exhibition view Time as desert at Mayeur projects

Claivoyant Memories (Babylone, réappliqué), 2015

2 temps 3 mouvements, 2015

Exhibition view Time as desert Mayeur projects http://www.mayeurprojects.com/

top 2 temps 3 mouvements

Deux temps trois mouvements renvoie au modèle de la sphère par son triple mouvement. Trois étant un chiffre circulaire.
Deux temps : Temps 1 : le fond, la grille. Temps 2 : la forme, le texte : Verum index sui et falsi.
Verum index sui et falsi: die Wahreit als Prüfstein gegen sich selbst und gegen die Unwahrheit (Spinoza, Ethik). Le vrai est à lui-même sa propre marque ainsi que celle du faux. Le texte fait également office comme toujours dans mes œuvres d'ouverture dans la surface moderne, ouverture, profondeur dans la surface plane.
Trois mouvements : Mouvement 1 : le temps de la représentation, sur l'espace traditionnel prévu à cet effet, la toile de peintre. Le lieu de l'illusion (le chez d'œuvre inconnu et maitre Frenhofer de Balzac).
-Mouvement 2 : mais en ce lieu, une grille composée de lignes réelles, représentant ou présentant réellement ce qu'elles sont. (Abstraction concrète).
-Mouvement 3 : l'effet optique. Le 3ème mouvement qui propulse le regardeur au deçà de l'œuvre, vers le dehors, soi le dedans (la psyché). (transe- optique).