top Detail 2 temps 3 mouvements

Verum index sui et falsi: die Wahreit als Prüfstein gegen sich selbst und gegen die Unwahrheit (Spinoza, Ethik). Le vrai est à lui-même sa propre marque ainsi que celle du faux. Le texte fait également office comme toujours dans mes œuvres d'ouverture dans la surface moderne, ouverture, profondeur dans la surface plane.

Piece on the question of the systems of representation, on their original place : canvas surface.
This work, at first glance, is a traditional optique all-over surface (like www). However it is questionning,
with the incursion at the bottom of the quote of SPINOZA from the Ethik, “Verum index sui et falsi”, on
the notions of truth and artifice in the history of representation. It is also questioning the moderne,
reinvesting the amrican surface, its ideologies and consequences.

With the optic effects it should be canceling the pictorial surface as a goal,and rise the viewer to the
level of meaning, because we can not look for very long at it. Those are impossible questions....
We can't face it, because of the optical phenomenon preventing it, so that one orientates oneself
toward the text, and the philosophical questions.

The optical and mental illusion, doing physical work out, causes by the dissolution of the still-image, a
form of travelling below the work. By Inflitrating the op-art and duality or laterality of modern surface
with the incertion of variously dated elements, questions the representaion and historical absolutism.

In my research, at the other hand on the decorative and symbolic duality of patterns and
rapprochement art and design, patterns operate in my work as in painting in the Middle Ages, as large
tapestries, or construction of plans and spaces. This is a physical issu, and they are always in big scal
resonating with the architecture as a concrete and active elements (concrete art) constituting the social
space (the place public), pictorial (postponement of the construction of the painting in the exhibition
room) and symbolic space. So they are organized in environments such as old tapestries integrated as
decoration, as physical perception, but also as a key of understanding and meaning, constructive
conceptualy of elements questioning inside the représenation and art in its original place.

top la vérité enfin !

Silkscreen on canvas.
Text below: William Shakespeare The Tempest.
Exhibition view : experimentum Mundi. Centre d art contemporain le Mas d'Azil, France.

top la vérité enfin !

Silkscreen on canvas.
Text below: William Shakespeare The Tempest.
Exhibition view : experimentum Mundi. Centre d art contemporain le Mas d'Azil, France.

top Sandwüste

Sandwüste, 2014 200x138x2 cm

Siebdruck auf 2 verschiedene Stoffe zusammen genäht- Keilrahmen.

This two leveld work refers to Goya “the sleep of the reason”. With an allusive slogan “I have been dreaming” and an optic pattern, its considering an image as imagination, as a process of how an image or a mental image is forming. The imagination has nothing to do with individual fantasy, but with the power of thinking (Baudelaire on Alan Poe), a faculty that perceives everything outside philosophical methods, secret relations of things, correspondances …

top Der Mitmacher- De natura deorum Dyptique

a contemporary version of G.D Friedrich "wanderer" . produced by Caza D'oro residence d artistes.

Diptyque De Natura Deorum (L)- De Natura Rerum (R) . Et la nature devient paysage, 2015. Produced by Caza D'Oro résidence d'artistes.

Left : le co-créateur ((Der Mitmacher) after G.D Friedrich „der Wanderer“) (de la nature des Dieux). Fine art print of a IPHONE 5 photo .40x50 cm. (Photo and model, Sébastien Guglielmet, Puerto de Barrosa Pyrénées espagnol Le 03/11/2013).

Right : De Natura Rerum (de la nature des choses). Fine art print 40X50 cm.

Piece on the nature-culture theme. The man's relationship with (his) nature, man and his environment, nature and landscape. With the use of mathematical, logarithms and exponential spiral, placed on these questions and an update of the question of Romantik.

Left : C’est une quête d'emprise de la nature de l'homme sur la nature des Dieux. Hence the constant desire to compete, to rise above it eventually overtake it and "to make nature” as Peter Sloterdijk enounced it, and at the same time an eternal nostalgie toward it.... Two centuries separate the walker of Caspar David Friedrich and this work. The co-createur is contemplating his work. An I-PHONE photo, with himself placed inside it.

top "De Natura Rerum (de la nature des choses).

"De Natura Rerum (de la nature des choses). Collage photographique, 40X50 cm. 2015.Produced in residency by Caza D'Oro, centre d'art contemporain, Ariège France. 2015. http://www.cazadoro.org/

This work contains in itself a form of tautology, redundancy translated both mathematically and biologically, as wel as sociologically. The spiral, says the same as the picture shown from an artistic point of view. It is in this work to postpone a logarithmic spiral exponential development (polar), growth and decay as exponential of man's influence on nature and vice versa. Who dominates whom? Who ontemplats whom?
It is in this work to postpone a logarithmic spiral exponential development (polar) in tracing the man's influence on nature evolving exponentially while the nature -of the Gods is shrinking at the same exponential rate . One can also see it in mirror (-1x ax / ax). The influence of the nature of the man.

top The Day Picture Was Born

The Day Picture Was Born, 2015. Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate. @ Virginie Mossé- Caza D'Oro.

1. Sculpture functioning as a structural element, symbolic important in the narrative part of the
contemporary new version of Platon allegory of the cave remembering “The Day Picture Was Born”
on the walls of the cave, projection of reality. The fire is now extinguished; there remains a wisp of
smoke. What is the meaning of this? , no more shadow of reality on the walls, no more illusion ...

The piece can be read 1. as a decor item to immerse the visitor in the context, "strange
shamanistic presenting itself cinematographic in relation to the previous piece "perfect crime".

2. In my work I will contrast a variety of opposing concepts empiric-rational.

Such as informal- geometric, mathematics-philosophy, trance-concept. This piece is working like
an oracle (Delphi, the Pythia, Alexander the Great ....), In connection with the chaos, the heart of
the concept of creativity or intuition or indefinable shamanism of creation. To the notion of
progress, I will prefer the notion of mutations. Old tins, used plastic bags, rubbish digested by
nature.

The mirror under the barrel has the function to extend not to reflect. To bind 2 worlds, making the
connection between this world-Here and the world -There, prolonging visible in the invisible. It links
the artist to the rang of Schaman within the other world (after Jean Clottes historian of
“prehistory”, Shaman was connected to the other world to deal with political and social questions
and to cure) of vision. This work developps the informal bis into the concept. An Entropic
composition.


The Day Picture Was Born. 2015. Smoking barrel on miroir, remains of wood, oak leaves, straw, old tins, used plastic bags, old rope, rusty gate, smoke machine.
Video of the piece https://www.youtube.com/watch?v=K6fu4KD7QMk&feature=youtu.be

top Detail The day picture was born

The Day Picture Was Born. 2015. Smoking (smoke machine) barrel on mirror, various objects founded in the garden garbadge, organic elements picked up in the forest, like fresh moos, oak leaves, staw mixing wild nature and human presence and activities. Dimension variable. Produced by Caza D'Oro résidence d'artistes. http://www.cazadoro.org/?page_id=4210

top Detail The day picture was born

Exhibition view Experimentum Mundi.

The Day Picture Was Born. 2015. Detail informel, abstract composition around the barrel : remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate.

top Detail The day picture was born

Detail The day picture was born", 2015,

The Day Picture Was Born. 2015. Smoking (smoke machine) barrel on mirror, various objects founded in the garden garbadge, organic elements picked up in the forest, like fresh moos, oak leaves, staw mixing wild nature and human presence and activities. Dimension variable. Produced by Caza D'Oro résidence d'artistes. http://www.cazadoro.org/?page_id=4210