top Exhibition view Time as desert at Mayeur projects

Virginie Mossé at Mayeur Projects-

With "la vérité enfin", "Alter Ego", 2015 and ""In all glory of the 3 orders (The symbolic union of subjectivity), 2014

http://mayeurprojects.com/artist/virginie-mosse/

top ALTER_EGO and Les doutes du siècle- Die Zweifeln des jahrhundert

together.

1."les doutes" reflect on the existential doubts, all what we do not know about us and that science is trying to find out, such as the god particle, for example. Part on the left. And secondly, the question of the media, and their auto-celebration. The endless flow of information and the apology of the containing. Part on the right.

All what we don't know / all what we shouldn't know : we don't want to know.

and alter ego....

top Les doutes du siècle- Die Zweifeln des jahrhunderts

Les doutes du siècle- Die Zweifeln des jahrhunderts, 2014-15. Lithographie on Arche Rives Bütten. 50x62 cm. 12/12.

Using the ability of German language to create subtilities of meaning with very few, or with
worlds combination, this work, in form an abstract line floating in the space, reflects first of all,
itself.

Then, it reflects on the existential doubts, all what we do not know about us and that science is
trying to find out, such as the god particle, for example. Part on the left.
And secondly, the question of the media, and their auto-celebration. The endless flow of
information and the apology of the containing. Part on the right.

All what we don't know / all what we shouldn't know : we don't want to know.

top Detail Les doutes du siècle- Die Zweifeln des jahrhunderts

Les doutes du siècle- Die Zweifeln des jahrhunderts, 2014-15. Lithographie on Arche Rives Bütten. 50x62 cm. 12/12.

Using the ability of German language to create subtilities of meaning with very few, or with
worlds combination, this work, in form an abstract line floating in the space, reflects first of all,
itself.

Then, it reflects on the existential doubts, all what we do not know about us and that science is
trying to find out, such as the god particle, for example. Part on the left.
And secondly, the question of the media, and their auto-celebration. The endless flow of
information and the apology of the containing. Part on the right.

All what we don't know / all what we shouldn't know : we don't want to know.

top Exhibition view experimentum mundi

Exhibition view Experimentum Mundi, end-residency solo exhibition at Caza D’Oro http://www.cazadoro.org/, 2015.Centre Culturel Multimedia de Le Mas D’Azil, Ariège, France.
Video of the exhibition : https://www.youtube.com/watch?v=yZG0hL46saM

Radio FMR Toulouse talk in Experimentum Mundi, end-residency solo exhibition Virginie Mossé :
https://www.mixcloud.com/RadioFMR/magazine-limpromptu-expo-virginie-moss%C3%A9-experimentum-mundi-%C3%A0-la-caza-doro-le-mas-dazil/

top Exhibition view experimentum mundi

La vérité enfin! 150x250x4 cm und 2 temps 3 mouvement 150x200x4 cm in the exhibition experimentum mundi 2015

top Exhibition view Time as desert at Mayeur projects

Claivoyant Memories (Babylone, réappliqué), 2015

2 temps 3 mouvements, 2015

http://www.mayeurprojects.com/

(Produced in residency by Caza D'Oro, centre d'art contemporain, Ariège France. 2015. http://www.cazadoro.org/ )

top WWW (Struktur des Wirklichkeit

WWW (Struktur des Wirklichkeit), 2014
195x195x2cm
Silkscreen on linen on frame.

top Sandwüste (white version

Sandwüste (white version), 2014
150mx150mx2 cm. Silkscreen on two different fabrics sewn together

The paintings are at first glance formalist, le motif pour le motif, the glorious american surface , par
excellence. But then we see that they deny it, to go to the heart of a reflection on their essence and
the function that they have, they are carrying in themselves their history and meaning and reflecting
on loads of differents things outside themselves, and outside their own concern of “painting” , what
make them conceptual.

top don’t. ( hallucinated life of an eternity)

don’t. ( hallucinated life of an eternity), 2015. Fine art print. 24x30 cm.

Still-life and vanity, two genres I do appreciate in the history of painting.

Vanity deals with the vain character of human endeavor, true to the motto Tempus
Edax Rerum, emphasizing the shortness of time and his passability. Meanwhile a still-
life instead, makes an eternity of the present moment.

The eternal present, also an allegorie for the work of art, itself.

“Don't, the allucinated life of an eternity" marked with the wellknown motif- symbol of
the peeled lemon, is mixing the two genres, operimg like a Time relativiseur , when it
comes into relationship with the other works around, but is also placing the
consideration of the whole exhibition around it, in a new temporality and metaphysical
impressions (especially also because it is the artist's arm). Just like when we walk in a
museum.