top Detail don’t. ( hallucinated life of an eternity)

don’t. ( hallucinated life of an eternity), 2015. Fine art print. 24x30 cm.

Still-life and vanity, two genres I do appreciate in the history of painting.

Vanity deals with the vain character of human endeavor, true to the motto Tempus
Edax Rerum, emphasizing the shortness of time and his passability. Meanwhile a still-
life instead, makes an eternity of the present moment.

The eternal present, also an allegorie for the work of art, itself.

“Don't, the allucinated life of an eternity" marked with the wellknown motif- symbol of
the peeled lemon, is mixing the two genres, operimg like a Time relativiseur , when it
comes into relationship with the other works around, but is also placing the
consideration of the whole exhibition around it, in a new temporality and metaphysical
impressions (especially also because it is the artist's arm). Just like when we walk in a
museum.

top Wir sitzen in einem Boot (Flying Dutchman)

Wir sitzen in einem Boot (Flying Dutchman) 2014-15

150mx150mx2 cm Silkscreen on two different fabrics sewn together.

top Wir sitzen in einem Boot (Flying Dutchman)

Wir sitzen in einem Boot (Flying Dutchman) 150mx150mx2 cm Silkscreen on two different fabrics sewn together. and
don’t. ( hallucinated life of an eternity), 2015. Fine art print. 24x30 cm

top Claivoyant Memories

Claivoyant Memories (réappliqué-Babylone), 2015

150x150x2 cm Silkscreen on canvas. (produced by Caza D’Oro résidence d’artiste). Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015.

top Hologrames series detail 4 "manowar

“Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clottes), 2015. Serie of 5 holograms 2 D. 18x24 cm in form of cards 18X24 cm mounted on open frames, presenting an optical horizontal left-right movement. Produced by Caza D'Oro centre d’art contemporain..

4 Manowar (abstraction as ideologie- vision of power. Refugees). After the abstraction on the subject, abstraction as ideology. As design of the society. -Tatlin’s Tower Monument to the Third-International, constructivist masterpiece and symbol of modernity, of the artist and Russian architect Vladimir Tatlin in 1910- 1920 but which was never built. -The Syrian refugees flowing to Iraq (Kurdistan). Press photo.

top hologramme nr. 4, 1 + 1 égal 1,

Once upon a time ou l'emergeance de l'homme moderne véritable, (à Jean Clottes), hologramme nr. 4, 1 + 1 égal 1, 2015

oeuvre produite par Caza D'Oro, résidence d'artistes. http://www.cazadoro.org/

top The Day Picture Was Born

the day picture was born, 2014, 15. Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate.

Video of the piece https://www.youtube.com/watch?v=K6fu4KD7QMk&feature=youtu.be

top Si aucun vent mauvais ne disperse les écumes

Detail of the productions process,with the use of the different materials during the moltings process. Metal oxides (iron: filings, and others), dust, baking soda (causes bubbles), silver nitrate (iridescence)
The oxides associated with the glass react in the atmosphere in which they are reheated (more gas or more air).

Work produced by Caza D’Oro résidence d’artiste.

top Detail The day picture was born

The Day Picture Was Born, 2015. Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate. @ Virginie Mossé- Caza D'Oro.

Video of the piece https://www.youtube.com/watch?v=K6fu4KD7QMk&feature=youtu.be