top Detail The day picture was born

THe day picture was born, 2014, 15. Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate.

Video of the piece https://www.youtube.com/watch?v=K6fu4KD7QMk&feature=youtu.be

top The Day Picture Was Born

the day picture was born, 2014, 15. Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate.

Video of the piece https://www.youtube.com/watch?v=K6fu4KD7QMk&feature=youtu.be

top Detail The day picture was born

The day picture was born, 2014, 15. Smoking barrel on miroir, remains of wood, oak leaves, straw, old boxes of canned, used plastic, old rope, rusty gate.

top “Once upon a time ou l'emergeance de l'homme véritable

Once upon a time, ou l'emergeance de l'homme moderne véritable (à Jean Clottes), 2015. Serie of 5 2D hologrammes on the theme origine of abstraction and representation. Produced by
Caza D'Oro centre d'art contemporain.

The holograms a work about the dicotomic questions, deal with abstraction as innate characteristic of the spirit. F.ex. The cup (2) decorated with a landscape going from abstraction to
representation, linking to nature-culture question. A landscape on the object and the grid, element recurrent in my work. Then after having postponed the abstraction on the object, I deal with
the ideological abstraction, with Tatlin tower acting as a phantom threatening the informal mass of people (here press photo Syrian migrants to Iraq) carved by the great utopias carried out
with abstractions. Then I deal with the Floris chair from 1960 and the propulseur magdalénien, with the 3 ages of life, the theme of elliptical time. Between the two objects I see no difference, the object of my concerns. Finally the tree and the pirog speaks for itself.

The serie of 5 Holograms, in form of cards 18X24 cm mounted on open frames, presenting an optical horizontal left-right movement. With this interesting technique, I show two realities in one or simultaneously, to tackle the issues of dichotomy and the hold of Cartesianism in favor of a more Merleau-Ponty approach of the perception.The viewer discovers the two levels of the image by moving front. .

With two strong symbols each time, showing the physiological origin, timeless, of abstraction in the construction of cultures. How the brain works timelessly and universally, and on what basis the foundation of our societies lies, with small differences due to geography. Similarly animals build their habitats depending on the shape of their bodies (Ernst Gombrich). We do not do differently. From the painted or carved galet to the logo of the Deutsche Bank there s only one step.

1- Logos
How do I see, who am I ? work on the physiological aspect of abstraction. According to Jean Clottes.
Neuropsychological laboratory research has shown that there are three major steps in the trance (so present in the human brain), with overlaps. In the first stage, the lighter, "we see géométiques shapes such as dots, zigzags, grids, set of curves and parallel lines and meandering. These forms have bright colors, they sintillent, move, expand, contract, mingle. The open them there we see under bright aspect, and are projected on surfaces, those of the walls and ceilings, for example "... Jean Clottes and David Lewis-Williams" shamans of pre-history. "

2- Ford... you're turning into a penguin. Stop it
Porcelaine de Sèvres du XVIII century and blue grid.

3- time as a desert (abstraction sur l'objet- l'objet de mes préoccupations)
-the designed chair „Floris“ of Günter Beltzig, 1967
- Fragment of a propulseur carved and engraved with three horse heads at three different ages of life. Dimensions : H. 16,5 cm ; L. 9 cm ; P. 1,7 cm, reindeer wood, Ariège, grotte du Mas-d’Azil, around 15 000 bf. J.-C. Founded by Edouard Piette.

4- 1 + 1 égal 1. Dychotomies (nature-culture, body-mind...)
The tree and the pirog.

5- Manowar (abstraction as ideologie- vision of power. Refugees). After the abstraction on the subject, abstraction as ideology. As design of the society.
-Tatlin's Tower Monument to the Third-International, constructivist masterpiece and symbol of modernity, of the artist and Russian architect Vladimir Tatlin in 1910- 1920 but which was never built.
-The Syrian refugees flowing to Iraq (Kurdistan). Press photo.

top Once upon a time ou l'emergeance de l'homme véritable”,  (à Jean

“Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clottes), 2015. Serie of 5 holograms 2 D. 18x24 cm in form of cards 18X24 cm mounted on open frames, presenting an optical horizontal left-right movement.

top detail holograme 1 1+1:1

1 1 + 1 égal 1. Descartes Dychotomies (nature-culture, body-mind…) :The tree and the pirog.

“Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clottes), 2015. Serie of 5 holograms 2 D. 18x24 cm in form of cards 18X24 cm mounted on open frames, presenting an optical horizontal left-right movement. Produced by Caza D'Oro centre d’art contemporain..

VIDEO of the work holograms 2 D : https://www.youtube.com/watch?v=FZYvUxINvt0

top detail holograme 1 1+1:1

1 1 + 1 égal 1. Descartes Dychotomies (nature-culture, body-mind…) :The tree and the pirog.

“Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clottes), 2015. Serie of 5 holograms 2 D. 18x24 cm in form of cards 18X24 cm mounted on open frames, presenting an optical horizontal left-right movement. Produced by Caza D'Oro centre d’art contemporain..

VIDEO of the work holograms 2 D : https://www.youtube.com/watch?v=FZYvUxINvt0

top Ddetail holograme series "time as a desert"

Hologram 2 : " time as a desert" (abstraction sur l'objet- l'objet de mes préoccupations) : -the designed chair „Floris“ of Günter Beltzig, 1967 and the fragment of a propulseur carved and engraved with three horse heads at three different ages of life. Dimensions : H. 16,5 cm ; L. 9 cm ; P. 1,7 cm, reindeer wood, Ariège, grotte du Mas-d’Azil, around 15 000 bf. J.-C. Founded by Edouard Piette.

top detail holograme series "time as a desert"

Holograme 2 : " time as a desert "(abstraction sur l'objet- l'objet de mes préoccupations) : -the designed chair „Floris“ of Günter Beltzig, 1967 and the fragment of a propulseur carved and engraved with three horse heads at three different ages of life. Dimensions : H. 16,5 cm ; L. 9 cm ; P. 1,7 cm, reindeer wood, Ariège, grotte du Mas-d’Azil, around 15 000 bf. J.-C. Founded by Edouard Piette.

top detail holograme 3 LOGOS

3 Logos : How do I see, who am I ? work on the physiological aspect of abstraction. According to Jean Clottes.

3 Logos : How do I see, who am I ? work on the physiological aspect of abstraction. According to Jean Clottes.
Detail of the series : “Once upon a time ou l'emergeance de l'homme véritable”, (à Jean Clottes), 2015. Serie of 5 holograms 2 D. 18x24 cm in form of cards 18X24 cm mounted on open frames, presenting an optical horizontal left-right movement.