top Status Quo (nothing is silence not even the dead 2- to A.K.)

Detail on the left : Melancholia, (red) 2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure, depicting boredom (…) is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989..

Canvas : Surface crisis- El Asnam (roman labyrinth mosaic in Algier -324), 2017. 195x195x2,5 cm. Silkscreen on canvas .

composition : “nothing is silence…”, ties, tree trunk, industrial waste, dead leaf, plastic waste, pigeon feather, brocken glas, earthen pots broken. 270x200x40 cm.

This work presents a picture of the ultimate contradictions of the modernity… The melancholy and boredom of a mechanized world, the consciousness of the Anthropocene, where the nature-culture the borders are erased, what is well beyond the politics and the conflicts of interests. This erasure, an observation that one is not any more in front of the nature but “makes nature” (Peter Sloterdijk). The irreversible mutation is achieved, … the existential questions remain same, questioning what we call progress and the meaning of MK life

top Status Quo (nothing is silence not even the dead 2- to A.K.)

Detail on the left : Melancholia, (red) 2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure, depicting boredom (…) is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989..

Canvas : Surface crisis- El Asnam (roman labyrinth mosaic in Algier -324), 2017. 195x195x2,5 cm. Silkscreen on canvas .

composition : “nothing is silence…”, ties, tree trunk, industrial waste, dead leaf, plastic waste, pigeon feather, brocken glas, earthen pots broken. 270x200x40 cm.

top melancholia, (red

Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure, depicting boredom (…) is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989..

top melancholia, (red

Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure, depicting boredom (…) is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989..

top Status Quo (nothing is silence not even the dead 2- to A.K.)

detail

top Status Quo (nothing is silence not even the dead 2- to A.K.)

3-parts work:
Melancholia, (red) 2013-15.Lithographie on Zerkal/ Surface crisis (roman labyrinth, Algier -324), 2017. Silkscreen on natural linen/ Nothing is silence not even the dead, composition, 2018.

top experimentum Mundi. Solo show 2015

Exhibition view Experimentum Mundi, end-residency solo exhibition at Caza D’Oro http://www.cazadoro.org/, 2015.Centre Culturel Multimedia de Le Mas D’Azil, Ariège, France.
Video of the exhibition : https://www.youtube.com/watch?v=yZG0hL46saM

top Experimentum Mundi

Exhibition view Experimentum Mundi, end-residency solo exhibition at Caza D’Oro http://www.cazadoro.org/, 2015.Centre Culturel Multimedia de Le Mas D’Azil, Ariège, France.
Video of the exhibition : https://www.youtube.com/watch?v=yZG0hL46saM

top Single-Negative-passage

Single-Negative-passage, 2015 . A 13 m Lang tunnel with inside the sound of Fledermaus ultrasound.

Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015.
Video of the work : https://youtu.be/qxD_wOAs1OI

Construction in the exhibition space of a wall forming a tunnel (Single-Negative-Passage), guiding to the 2 part inside the exhibition, and forming at the same time in shape of a Y various different spaces, articulating the visit of the exhibition. Inside the tunnel and in the room, diffusion of a sound piece “les chauves souris trismegistes”, composed of the recording of bats ultrasound.

Single-Negative-Passage links the visitor to facing himself, or his shadow, his negative, witch in that
case, presents itself as the opposite-contrary of positivism, the part of oneself doubting and reflecting.
A 13 m lang, and 46cm wide tunnel to walk through to rich the exhibition, with inside it, the sound of
bats -ultrasound,

Meanwhile the canvas "la vérité enfin” refers to the collective and Heizer's Double-Negative presents
a negation of the negation, no real but as piritual affirmation, Single-Negative-Passage is a negation
of positivism. The same issue but by digging into the individual, as material instead in the desert.

Inside the tunnel, one is confronted to the inaudible. The time of tcrossing the passage is
accompanied by ultrasound bats-piece called “les chauves-souris trismegistes”.

Experimentum Mundi (end-residency solo exhibition at Caza D' Oro) aims to provide a more global
perception, to question this attitude which is called art and his involvement in the construction of
reality and the physiological aspect to be intrinsically linked to the abstraction, inciting meditation on
the elliptical nature of time.

top Single-Negative-passage

13 m lang tunnel with sound of Fledermaus ultrasound.

Exhibition view, solo exhibition “Experimentum Mundi”, CCMM du Mas D’Azil, France. 2015.

Video of the work : https://youtu.be/qxD_wOAs1OI

Construction in the exhibition space of a wall forming a tunnel (Single-Negative-Passage), guiding to the 2 part inside the exhibition, and forming at the same time in shape of a Y various different spaces, articulating the visit of the exhibition.

Inside the tunnel and in the room, diffusion of a sound piece “les chauves souris trismegistes”, composed of the recording of bats ultrasound.

Single-Negative-Passage links the visitor to facing himself, or his shadow, his negative, witch in that
case, presents itself as the opposite-contrary of positivism, the part of oneself doubting and reflecting.
A 13 m lang, and 46cm wide tunnel to walk through to rich the exhibition, with inside it, the sound of
bats -ultrasound,

Meanwhile the canvas "la vérité enfin” refers to the collective and Heizer's Double-Negative presents
a negation of the negation, no real but as piritual affirmation, Single-Negative-Passage is a negation
of positivism. The same issue but by digging into the individual, as material instead in the desert.

Inside the tunnel, one is confronted to the inaudible. The time of tcrossing the passage is
accompanied by ultrasound bats-piece called “les chauves-souris trismegistes”.

Experimentum Mundi (end-residency solo exhibition at Caza D' Oro) aims to provide a more global
perception, to question this attitude which is called art and his involvement in the construction of
reality and the physiological aspect to be intrinsically linked to the abstraction, inciting meditation on
the elliptical nature of time.