top The beauty of the night is something our time is hungry for

2 pieces work composed of :

1-optic canvas 300x195 + 195x195 : 500x195x2,5 cm. Text on the canvas : „in the dark attics of your mind all times mingle“.

2- sculpture: Walking blind after play it by trust (embodyment 3), 2017. 417x70x 100 cm. Construction support steal, and 2 fine art-prints on reboard 16mm (2 prints 131,5x 87cm).
Embodyment III

top The beauty of the night is something our time is hungry for

2 pieces work composed of :

1-optic canvas 300x195 + 195x195 : 500x195x2,5 cm. Text on the canvas : „in the dark attics of your mind all times mingle“.

2- sculpture: Walking blind after play it by trust (embodyment 3), 2017. 417x70x 100 cm. Construction support steal, and 2 fine art-prints on reboard 16mm (2 prints 131,5x 87cm).
Embodyment III

top Breaking point (Mimesis-Politic-Métaphysic),

Lithografie on alt-Nüremberg- passepartouts- silkscreen on plexi. 36,5x48,5x3 cm-

1. yellow circle : mimesis. Text from the Hans-Georg Gadamer Hermaneutik „Truth andmethod, 1960.

2.Blue Triangle : métaphysic. Text from Marcel Broodtears by Dorothea Zwirner. 1997.

3.Red square : politic-philosophic. From Walter Benjamin “The Work of Art in the Age of mechanical Reproduction”, 1935.

Numerus clausus. An anthropology of visual art. (Below: Göbleki Tepe, Turkey. circa 10,000 BC.)

The questioning of modernist fundamental forms today. Forms are no longer needed to be autonomous. Allowing after the breaking point of the modern to return in the past and to work in an elliptical way, enlarging old discourses, now de- and re-contextualized, we can reflect on the function of art in the whole MK history in a more existential way

top Breaking point (Mimesis-Politic-Métaphysic),

Lithografie on alt-Nüremberg- passepartouts- silkscreen on plexi. 36,5x48,5x3 cm

1. yellow circle : mimesis. Text from the Hans-Georg Gadamer Hermaneutik „Truth andmethod, 1960.

2.Blue Triangle : métaphysic. Text from Marcel Broodtears by Dorothea Zwirner. 1997.

3.Red square : politic-philosophic. From Walter Benjamin “The Work of Art in the Age of mechanical Reproduction”, 1935.

Numerus clausus. An anthropology of visual art. (Below: Göbleki Tepe, Turkey. circa 10,000 BC.)

The questioning of modernist fundamental forms today. Forms are no longer needed to be autonomous. Allowing after the breaking point of the modern to return in the past and to work in an elliptical way, enlarging old discourses, now de- and re-contextualized, we can reflect on the function of art in the whole MK history in a more existential way

top breaking point

Lithografie on alt-Nüremberg- passepartouts- silkscreen on plexi. 36,5x48,5x3 cm-

top le point ou detail  carre politique

Le point ou- Breaking Point, 2016. (Mimesis-Politique-metaphysique)

Lithografie on alt-Nüremberg- passepartouts- silkscreen on plexi. 36,5x48,5x3 cm

top 16 melancholia

Melancholia, (red and Blue) 2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia ist eine zeitgenössische Allegorie an das Postmoderne Lebensgefühl. Die Rolltreppe-Figur ist ein Motiv des Philosophen Peter Sloterdijk.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989

top melancholia blue

Melancholia, (red and Blue) 2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia ist eine zeitgenössische Allegorie an das Postmoderne Lebensgefühl. Die Rolltreppe-Figur ist ein Motiv des Philosophen Peter Sloterdijk.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989

top detail melancholia

Melancholia, (red and Blue) 2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

elancholia ist eine zeitgenössische Allegorie an das Postmoderne Lebensgefühl. Die Rolltreppe-Figur ist ein Motiv des Philosophen Peter Sloterdijk.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989“.

top 16 melancholia blue detail

Detail

Melancholia, (red and Blue) 2013-15. Lithographie on Zerkal. Motiv : 12x12cm, Papier 54x76 cm. 2015. Red and blue versions. Passepartout.

Melancholia ist eine zeitgenössische Allegorie an das Postmoderne Lebensgefühl. Die Rolltreppe-Figur ist ein Motiv des Philosophen Peter Sloterdijk.

Melancholia is a contemporary allegory of the postmodern life. The escalator figure is a motif used by the philosopher Peter Sloterdijk in “Eurotaoismus. Zur Kritik der politischen Kinetik” von 1989